Jessica Cooper began her professional career as a musician in Boston in 2000. She has appeared with many of the region’s top performing groups as both a soloist and an ensemble member. Jessica is a faculty member at the University of Massachusetts, Boston campus, and actively participates in the university’s culture of social justice, diversity, urban and global engagement. She teaches voice there, as well as through her private studio. She was recently appointed Community Relations Director of NATS Boston, and is the founder and artistic director the Henry Purcell Society of Boston.
Nick: Thanks, Jessica, for speaking to me about this essential subject. Let’s get right into it. What are the things a singer — or speaker — needs to do to take care of their voice for a long-term career?
Jessica: Okay, getting right to it! Anyone who relies on their voice for their livelihood must prioritize their vocal health. I recommend the following three crucial steps:
- Understand how diet and stress impact the voice
- Keep your vocal muscles toned with routine vocal exercises
- See a laryngologist BEFORE you need to!
The stomach is often the culprit for much of the hoarseness that voice professionals experience, and maintaining a low acid diet is key to consistent good vocal health. Laryngologists often prescribe the “GERD diet,” (or “reflux” diet) to professional singers to prevent voice loss due to reflux. The GERD diet is a high PH diet that eliminates desiccants, ups the hydrating foods and necessitates keeping food out of the stomach at night- no food for three hours before lying down. Its really important to remember that reflux is cumulative and can cause laryngitis or pharyngitis: both of which have long recovery periods, and for obvious reasons, could affect your performance!
If your voice is healthy, and you are aiming for longevity and endurance (lots of speaking/ singing gigs), then having a regular practice that enforces good vocal technique is like putting money into the bank. There is a great saying, “spend the interest, not the capital,” and that can be applied to the voice. Regular warm ups are “deposits in the bank!” Strengthening the vocalis muscle, and getting the brain ‘hooked up’ with your diaphragm through focused breathing exercises are surefire ways of developing a more powerful and effective voice. A great way for public speakers to kickstart this is to take a series of voice lessons from a professional, and then establish a personal daily routine.
A good laryngologist is the voice professional’s best friend. If you are the kind of person who regularly finds it difficult to speak with a clear tone, this step is important. Getting “scoped” by a voice doc can provide clues to your vocal health that allow you a personalized approach to caring for your voice. You don’t want your first trip to the laryngologist to be the day before your big talk!
Nick: And what are the traps to watch out for? What can endanger a voice?
Jessica: Remember that your voice is a myo-elastic, aerodynamic instrument that is inside of your body. We can’t really help that our most important asset – our voice – is inside of us, experiencing our environment, our diet and stress levels.
Things you CAN help, however, are:
- Don’t shout or yell- things like trying to talk over loud rooms can cause damage.
- I’ve already mentioned the GERD diet, so avoiding things that are acidic or drying to the vocal folds is important. Desiccants include alcohol, smoking, fatty and spicy foods, coffee, soda/ sugary drinks
- Not knowing what is “inside,” meaning: you haven’t seen a laryngologist to learn about what natural anomalies your voice may have.
Nick: How can a speaker make his/her voice stronger and more compelling on stage?
Jessica: Your voice is the most expressive tool you have as a human being – not just because of the power of words, but because the voice reflects human emotion and can elicit empathy more powerfully than any other communicative part of our body (facial expression/ hand gestures). As a voice teacher, I have the pleasure of working with singers, who have the advantage of having the musical phrasing written into the words they are performing. Finding an optimal timbre, and using pitch inflections is key to having an effective speech. However, in order to be perceived – or heard – as authentic, it’s necessary to take it one step further. Having an emotional connection to what you are speaking about will add an authentic cadence that cannot be manufactured. Be a storyteller.
Nick: What do you look for (or listen for) in a voice?
Jessica: Every voice is unique, but the most pleasing voices are balanced – meaning they have both a bright, and a warm quality. In art terms, “chiaroscuro,” is used to describe the balance and contrast present in a good painting. It translates literally to “light-dark.” In the opera training world, it means that a singer has achieved the nasal resonance needed to project the voice and be heard (light, or bright), while maintaining enough space inside the mouth to have a roundness, and warmth (dark).
Nick: What’s the single most important thing I should do starting today to care for my voice?
Jessica: Follow all of the instructions in this blog post! ;-)
Nick: Thanks, Jessica!
Go to Jessica’s website to sign up for a series of vocal sessions to ensure that, as a speaker, you have an optimal voice. Your career may depend on it!
So good. Thank you for the post, Nick. And thank you for the insights, Jessica.
Yesterday I had 3 speaking engagements plus a podcast interview. Most weeks have been 5-6 engagements and I am having to be more careful than ever with my voice.
Nick and Jessica, I’d love a reference or two on your favorite ways to warm up the voice. I have a routine but I’m sure it could be radically improved. Any recommendations would be greatly appreciated. Thank you!
Thanks, Andy — glad you’re keeping busy. Stay tuned for some tips on warm ups.
Hello Andy!
Thank you for commenting! So, my favorites are humming, lip trills and slides. Facial relaxation techniques are also very helpful to do regularly, preferably before the “vocal warm up.” For everyone- slides are usually the most effective, and any effort towards executing concentrated, clear-toned slides can strengthen your vocal muscles, while also necessitating breath control.The “Lion” pose- extending the tongue fully outside of a wide-opened mouth- very helpful for releasing tension! Anything that targets the power source (lungs/ diaphragm), the vibrator (vocal folds) and the resonators (face/ nasal cavities) all at once are worthy of effort!
I have so much to learn! Thank you for this helpful advice, Jess!
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Thanks, Leo!